Apology for Aboriginal art and cultural thefts to Tasmanian Indigenous communities long time coming
By Erin Cooper
Those collections were shown at what became the Tasmanian Museum and Art Gallery (TMAG).
In the 19th century, as debate raged among colonial settlers and their colleagues in Europe about the Darwinian theory of evolution, the bodies of Tasmanian Aboriginal people became highly prized.
"If you look at it like a ladder of world cultures, Aboriginal people in Australia were seen as being at the bottom of this ladder, and the very bottom of all was Tasmanian Aborigines, they were seen as the simplest, most primitive people in the world, for various misguided reasons," Senior Research Fellow at the University of Tasmania, Rebe Taylor, said.
The demand for Aboriginal remains only grew as the population dwindled as the Government tried to rid the island of it's native people, falling from somewhere between five thousand and eight thousand in 1803, to a couple of hundred in the 1830s.
One of the most egregious examples of this was the case of William Lanne — an Aboriginal man who died of a gastrointestinal infection in 1869 and became the centre of a fight over his body.
Politician William Crowther decapitated Lanne's corpse for the Royal Society and switched the head for one of a non-Aboriginal man in an attempt to cover it up.
According to Paul Turnbull's book on the subject, resident surgeon George Stokell then sawed off Lanne's hands and feet, which were taken to the museum.
Both Stokell and Crowther were sanctioned, but the latter went on to become Tasmania's 14th premier in 1878.
Pro-Vice Chancellor of Aboriginal Leadership at the University of Tasmania and Aboriginal man, Greg Lehman said these two institutions "probably have more to apologise for than most institutions in Tasmania."
Famous Aboriginal woman Truganini heard of what happened to Lanne and expressed her wish to be cremated at sea upon her death, but that didn't happen.
Instead, the Royal Society exhumed her body and put her skeleton on display in TMAG until 1947, when it was taken down.
It wasn't until 1976 that her wish was fulfilled — a century after she died.
'Simmering resentment' becomes action
Chair of the Aboriginal Land Council of Tasmania, Michael Mansell, started working on getting Aboriginal property back when he was in his twenties.
"We were continually humiliated, we were offended by the way white people did things to us," he said.
He said they were "powerless" until they received some federal funding in the 1970s under Gough Whitlam, after which Aboriginal people organised themselves to create a public push for the return of remains and artefacts.
"We'd become aware in the 1980s that Aboriginal remains had been sent overseas by a range of doctors and surgeons in Hobart, who were paying money to people to dig up Aboriginal bodies.
"There was this real trade in the Aboriginal dead being sent over to the mainland of Australia and to good old Mother England… and so in 1985 I went around the world and got some of them back," Mr Mansell said.
Ms Taylor said Aboriginal communities in Tasmania led "one of the earliest, most effective" repatriation movements from the 1970s onwards, creating slow but dramatic progress.
"It was only when the Aboriginal community became vocal and were listened to, even unwillingly by scientists, that things changed."
Mr Lehman said progress has been made at TMAG, which has two permanent exhibitions curated by Aboriginal Tasmanians, and has pakana woman Zoe Rimmer as Senior Curator of Indigenous Cultures.
"They symbolise something quite significant in even the institutions that have done the most appalling things can demonstrate the moral leadership and substance that's involved in saying 'look, we did the wrong thing and we want to commit ourselves to making sure these things don't happen again'," Mr Lehman said.
Mr Mansell described as "significant" that the handing over of the petroglyphs came with "an admission that they never should have had them in the first place".
It was, he said, an "acknowledgment that it is a destruction of Aboriginal society's cultural connections with our past and the people today".
Apology 'just the start'
While Mr Mansell sees the apology as a step forward, he said it's just the start of a long process.
He emphasised saying sorry would have to be backed up by continuous action, both in engaging Aboriginal people in the museum curatorship process and returning materials when asked.
Ms Taylor said she hoped the apology would acknowledge the full extent of the harm done, including the lengthy portrayal of Aboriginal Tasmanians as the least advanced species in the world.
"The tendency of the apology may be to look to those horrors of the 19th century because they're horrific and the most well-known, but I think what is often overlooked is the mistreatment and misrepresentation that continued well into the 20th century."
Mr Lehman said he'd personally like to see an apology from the State Government "for it's part in the attempted removal, or extermination, of Tasmanian Aboriginal people".
"It was an insidious final solution, and I don't use that term lightly, and many people internationally saw it as an attempted genocide."
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